By : Akins Olohun
One truth that can never be hidden is the special blessing Almighty God has bestowed on Alhaji Abass Akande Obesere (PK1st) since the beginning of his career. I once heard that the late Sikiru Ayinde Barrister (SAB) referred to him as “A falling rain without the sign of wind blowing.” “Ojo ti o ṣù, ton rọ” That statement alone speaks volumes about how Obesere’s rise was natural, divine, and undeniable.
Back in the early 90s, when many of his peers were still struggling to gain even local recognition, Obesere’s ovation was already loud enough to attract the attention and respect of the Fuji creator himself, Barrister. Despite being one of the younger artists of his time, both his contemporaries and even those older than him began to look up to him because of the grace and talent God placed in him.
Whether it was due to his Asakasa style of singing, his creative fearlessness, or simply the blessings of his parents’ good deeds, one thing is clear—Obesere’s star was destined to shine early.
I still remember stories told by elders about how generous Obesere was, even in his youth. One of my uncles recalled in the late 90s that anytime Obesere visited a place, he would make sure everyone received something from him before leaving. That spirit of giving has followed him all through his career, making him not just a musician but also a man of the people.
Let’s also not forget, while many older Fuji musicians were still struggling to travel abroad, Obesere had already visited America three times in the early 90s, opening international doors for himself and paving the way for younger ones to dream big.
Obesere has always been a pillar of support for upcoming artists, welcoming them with open arms regardless of how they relate with him. (He never cares if you call him Ẹ̀gbọ́n or not). He carries himself with respect and discipline, despite the àṣàkasa and street-wise style of music he introduced. And unlike what many critics might have expected, no immoral scandal has ever been tied to his name.
Now, let’s address something important.
If you see another artiste doing well today, that should never make you call Obesere a “dead glory.” For over 40 years, he has remained relevant in the Fuji industry. Many of those you hail today once looked up to him countless times in their search for fame. The truth is, Obesere is not the first to sing Asakasa, but he is the one God blessed with the grace to turn that pattern into an unstoppable force.
Calling a man who is still making impact a “dead glory” is not only unfair, it is also spiritually dangerous. The love you have for your favorite artiste should not push you to use your own mouth to block the favor God has destined for you. These men are blessed, and they are still relevant. Love your own, yes—but also appreciate the greatness in others.
Obesere may be popularly known for his “bad boys’ songs,” but who are we to question God about how He decides to uplift His servants? Nobody can challenge His plans, and nobody can erase what He has written.
Today, whether you love his music for its street originality, its unapologetic boldness, or simply for the man behind the microphone, you cannot deny that Obesere is a legend in this industry who has also uplifted many.
History is written not just by talent, but by impact—and Obesere’s story is one of undeniable success, generosity, and resilience. His blessings are God-given, and his legacy is secure.
So, to those who still try to downplay his achievements, let the facts speak louder than opinions. Obesere is not just part of Fuji history—he is one of the men who shaped it.
I am Akins Olohun Ni not just a fan of Osupa but also a defender of truth.
